The primary development goal of this series was to create a powerful non-switching pure class A amplifier with the lowest possible output impedance that would contribute to a better signal and less noise, thus improving speaker performance, resulting in a much more organic sound and more musicality.
Powerful with a maximum of musicality the flagship class A integrated from Aavik
Through a long and intensive research and development process, Aavik’s engineering team identified several characteristic elements in the traditional Class A amplifier design that could be improved, which has had a very positive effect on the soundstage and musicality.
To create the best and most effective control section, Aavik’s engineering department has carefully tested and evaluated each electronic component to ensure both the lowest possible noise floor and further refinement of the signal. The ultimate goal of this thorough approach is for the amplifier to unlock a dynamic musical range that projects even the smallest musical details onto a palpably larger soundstage with an extremely quiet background.
Aavik have designed a circuitry that constantly keeps the bias spread 0,63 V above the required current, no matter where it is in the cycle. So, no matter how much current the power amp requires to perform, it always stays in Class A up to an impressive 2×200 W into 8 ohms, while at the same time not consuming unnecessary power.
This significant reduction in the power requirements of the amplifier allowed Aavik to design the capacitors as smaller units and place them locally, so that essentially each of the eight pairs of output transistors has its own capacitor bank right next to it. This means that the current does not have to flow through long wire harnesses and long circuit boards. The current is always directly at the output transistor, which means a shorter signal path and therefore less noise. In addition, this innovative Aavik design also means that the 880 amplifiers do not get as hot as conventional Class A amplifiers, resulting in higher efficiency.
This
Aavik series is designed to ensure massive power resources with
ultra-low noise. Unlike the square waves used by conventional switch
mode power supplies, this Aavik series boast a resonant mode design
which is principally driven by sine waves.
When more power is
needed, the operating frequency increases, which, in turn, has the
advantage that the power density also increases, thus allowing higher
peak power when required by the music.
The noise floor in the raw
power supply is extremely low but could be even further lowered by the
ultra-low noise regulators supplying the different parts of the circuit.
The noise of these regulators is measured in a few microvolts
respectively nanovolts, which is significantly lower than the noise
level of conventional regulators.
The
principle of a traditional class A power supply is to create switching
noise. This happens when the large capacitors have to absorb current
from the transformer. Current can only flow into the capacitors when the
voltage on the outside is less, so when current is needed, the voltage
across the capacitors will be lower than the 50/60 Hz cycle. Although
defined as a linear power supply, there are a lot of current transients
flowing in these power supplies.
The Aavik 880 amplifier has four
500W power factor corrected resonant mode power supplies. The 500w power
supplies combined with the extremely large power banks mean that the
amplifier can deliver peak currents in excess of 80A, so it is not the
power supply in the Aavik 880 amplifier that will limit how much you can
feed into your speakers in transient and they will never switch.
Affects the sonic experience.
The
Aavik 880 amplifier features a unique inverted amplifier topology with
virtual ground for maximum stability. Feedback becomes so strong that
the signal can be attenuated to a gain of less than 1. This maintains
the full signal with the lowest signal-to-noise ratio, whether the
volume is turned up or down. This provides the speakers with a clear and
distinct flow of information, making even the subtlest nuances of
timbre and texture audible against an extremely quiet soundstage.
LDR based.
The
LDR (Light dependent resistor) is ultra quiet thanks to the switchless
principle. The traditional switch arrays and relays are more noisy. They
suppress subtle sound details and unnaturally color the tone.
The
Aavik active analog crossover secures a precise timing in the delivery
of sound signals to the receiving components. This is essential to avoid
a harsh and compressed sound. The Aavik active crossover has been
designed to either very precisely control a subwoofer or with the
integrated low pass and high pass filter to control a 2.1 home theater
system. Alternatively, Aavik’s analog crossover can function as analog
room correction control.
Excellent and absolutely precise subwoofer control
Since
the crossover is analog, there is no latency. The timing of the signal
transfer to both the speakers and the subwoofer is absolutely precise.
This results in an utmost pristine and authentic sound. Other
conventional crossovers, such as DSP transport the signal through a
digital circuit. This results in a latency of 15-20 msec. The effect of a
failing precision in the timing of the signal transfer to the speakers,
respectively the subwoofer, impairs an authentic audio reproduction,
creates a compressed sound and adds a harsh tone to the music.
Control your home theater and your 2.1 audio setup
By
using the low pass and high pass filter, the sound performance of your
individual speakers can be optimized. When directing the low frequencies
to the subwoofer, more energy to the main speakers will be released. To
ensure an even volume of the speakers and the subwoofer, the gain on
the high pass and the low pass filter can separately be controlled.
Analog Room Correction – prevent “Room Boom”, the annoying pressure resonance
Room
correction is a matter of identifying and eliminating room resonance.
The one specific resonance that creates an unpleasant and disturbing
sound is a pressure resonance resulting from the given size of the room –
subjectively, it feels like a “boom” emanating from the speakers. To
eliminate this room specific resonance, the Aavik amplifiers can adapt
their audio performance and make allowances for any given room size.
Both the low pass and high pass filter allow the listener to set the
exact frequency progress around those low frequencies which cause this
disturbing ‘Boom’ effect.
A 3rd generation of the Ansuz analog dither technology has been developed. Analog dither technology originated in radar, where it ensured a stronger signal and thus greater range. The active Tesla coils send pulsating signals at precisely defined frequencies. These signals are sent in anti-phase. This significantly amplifies the musical signal and eliminates the background noise floor.
Analysis
and studies have led to new options – and a lot of listening has
resulted in this 3rd generation design which is a further optimization
of the most effective frequencies which opens the soundscape even more
and with the tiniest details when it comes to reproduction of the
recordings.
A study of materials and shapes
The exterior design of the Aavik 880 amplifier is the result of Flemming Erik Rasmussen’s artistic and aesthetic work. However, his design philosophy is and always has been that design must serve purpose. The cabinet of the Aavik 880 amplifier was designed primarily with the goal of maintaining the best audio characteristics of the electrical design, i.e. the lowest inductance, reducing hysteresis to an absolute minimum, and ensuring excellent resonance control. In addition, since this was a Class A amplifier that was to be developed, there were some predefined premises for the design. With these goals in mind, the design process became a study of shapes and materials that opened up a unique and constructive synergy between Flemming Erik Rasmussen and Michael Børresen.
In addition, the amplifier features cooling elements on the sides and top that clearly bear Flemming’s design signature. The volume button is covered with a rubber layer, and the control panel is designed as a large LCD touchscreen display.
The choice of materials, as well as the interior and exterior design, are the result of Fleming and Michael’s collaboration and are characterized by functionality, but also by a very aesthetic and elegant design.
Based
on Flemming Erik Rasmussen’s fascination with copper for its visual
appearance and feel, and Michael Børresen’s insight into the sonic
properties of copper, this material was chosen as a fundamental
component of the design. As a result, the Aavik 880 amplifiers feature a
solid copper enclosure. This results in a further reduction in
hysteresis, lower output impedance, lower inductance, a positive effect
on the damping factor, and cooler operation of the amplifier. All these
components ensure that the music is reproduced with more energy and
power. The bottom plate is designed as a sandwich construction with a copper
plate, a heavy compact laminate plate, and a titanium layer on the
bottom. This unique sandwich construction ensures minimum resonance and
supports a natural and organic sound.
The
principle is to have two coils that are wounded in each direction / a
coil and a counter coil. In Ansuz words: “a double inverted coil” – the
two coils are both carrying voltage – and when the Tesla coil encounters
a voltage spike a counter spike is activated in order to eliminate the
noise. As Noise spikes are pure voltage and carries virtually no charge,
the cancelation is quite good, but not 100%. By adding more P-TC coils
in parallel the performance increases. By implementing this the
perceived blackness in the music improves significantly.
Ansuz Tesla coils are available in various types as they complement each other in terms of strengths /weaknesses.
Effective noise killer.
The
active Tesla coils are power supplied which secures a remarkable lower
impedance and thus a better ability to eliminate noise. The active
version is about three to four times more efficient than passive Tesla
coils.
Impressive noise reduction.
The
active square Tesla coils are embedded in our circuitry boards – one
coil on the top and the counter coil on the rear side. The principle is
exactly the same as the active Tesla coil and thus a great ability to
eliminate noise than the passive Tesla coil.
Prevents airborne noise.
All
cables and cable screens are acting like antennas for airborne RF noise
which of course is a huge problem. The passive cable Tesla coil is
wounded on the external part of the cable and protects the signal from
absorbing the airborne RF noise. This noise is absorbed in the Tesla
coil.
As there is a voltage running in the conductor itself, and
it is wounded in the counter direction – this is used as the counter
coil and the RF noise is then eliminated.
Based on Ansuz general curiosity on the properties of different materials, Ansuz has implemented a zirconium bar in their anti aerial resonance coil design. This is another impressive upgrade to the Ansuz anti aerial resonance coil technology.
The properties of this zirconium bar allow for unprecedented resonance control resulting in outstanding musical refinement that creates a natural soundstage, unrivalled in its purity, precision and attention to musical detail.
When
Aavik designs new audio equipment, one of the main tasks is always to
eliminate as much unwanted noise as possible to provide uncompromising
musical authenticity. Therefore, Aavik always integrates the most
effective Tesla coil technologies from the sister brand Ansuz into the
Aavik products. Audio Group Denmark has learned that many
technologically groundbreaking advances in product development of its
three individual brands, Ansuz, Aavik and Børresen, can often be
leveraged across brands. The knowledge and technology sharing that takes
place between the three brands has proven to be extremely insightful
and valuable.
Based on their studies of
the properties of zirconium and their recent experience with the use of
zirconium, Ansuz has also designed an active cable zirconium Tesla coil
technology. The new design includes not less than three zirconium bars.
Furthermore, the Tesla coil itself is extended as well. The complete
solution is improving the signal handling dramatically – both in terms
of eliminating noise and controlling resonances, ensuring a
crystal-clear sound.
The active zirconium cable anti aerial resonance
Tesla coils is wound directly on the out part of the cable and protects
the signal from absorbing the airborne RF noise. This noise is absorbed
in the Tesla coil. The active version is about three to four times more
efficient than the passive cable Tesla coil